en to unknown language translation catalogue (46 entries)

en: &nbsp;
    
    Rekvizīti:
    
    Biedrība “Purvīša muzejs”
    
    Reģ.nr. 40008120773
    
    Banka: Swedbank
    Konta: LV96HABA0551018616469
target: &nbsp;
    
    Company details:
    
    Biedrība “Purvīša muzejs”
    
    Reg.nr. 40008120773
    
    Bank: Swedbank
    Account nr.: LV96HABA0551018616469

en: 03c201c9578d2910685ff9ceac5069fc
target: Vilhelms Purvītis, Spring landscape (March), 30. 20th century Archives of the Latvian National Art Museum, LMM GL-1189

en: 171f41560d3b8424d5e57f7f09519808
target: Vilhelms Purvītis, In Spring, - 1934. 1933 - 1934 Archives of the Latvian National Art Museum, LMM GL-913

en: 1b9485d749b78f499bfd149c13fd7c06
target: Vilhelms Purvītis (1872–1945) was a philosopher of art. The uniqueness of his work is the “composing” of his paintings. Almost none of the landscapes painted by Purvītis that can be seen in the National Museum of Art, Durbe Palace, the Presidential Palace, private collections and elsewhere can be seen in reality because they are “composed” – artificially staged. In his countless studies, Purvītis nurtured specific natural objects and brought them together in unique compositions and variations. “To organise the nature”, said Purvītis. For composition purposes, he suggested “transplanting” a tree elsewhere or “adding” a house.

en: 2271e4c7a5c0987b724a09556595aa71
target: Vilhelms Purvītis, Summer landscape, 20. 20th century Private collection

en: 365f7bac53afadff0824ce97b9f9d533
target: <span style="font-weight: 400;">Purvītis used his status (rector of the Art Academy, director of the Art Museum, teacher, winner of several international competitions) to advocate for the preservation, nurturing and sometimes also the salvation of Latvian national art. Later, during his exile, the transport that carried around 900 (the archives are silent on the exact number of paintings) of Purvītis’ paintings to Germany, mysteriously disappeared. This was a significant blow for Purvītis because he believed that without his works he was nothing again and he had to start all over once more. He passed away a year later. There are now more than 400, the exact number is still unknown, of his paintings in various collections, which are still a testament to the talent, craftsmanship and genius of Vilhelms Purvītis. </span>

en: 44d24e395730749eb7a8f7f66fcbd83b
target: His success was always based on work – the master did not tolerate idleness. Purvītis believed that it is very rare to determine who is a true artist by nature and who will become one through hard work. To motivate his students to work, he drew a line on the wall with charcoal and said: “Many of you will get to this point, maybe even all of you, but only a few of you will get past it. Beyond this line, the artist begins.”

en: 45e5738a61caddcbe713aaa6ee1d1465
target: But the greatest success for an artist is to find oneself. Purvītis trained a number of 20th-century Latvian artists in his studio – Ģederts Eliass, Kārlis Padegs, Ārija Skride, Arvīds Egle, Miervaldis Ķemers, Jānis Gailis, Margrieta Celmiņa, Edgars Vārdaunis, Kurts Fridrihsons and many others. He always believed that all his students were gifted, but no one should be lazy, because the real struggle would start when the artist was alone and had no one to ask for advice. Purvītis’ strong character, sharp mind, subtle sense of humour and also fragility are just some of the qualities that make up his personality, but the door of his apartment was always open to his students. Oto Grebže, a student of Vilhelms remembers: “Students used to call Purvītis... the old chap. Just like what Purvītis would call his father.”

en: 591ce6f0205cd61e70c50618492a7ae5
target: &nbsp;
    
    Company details:
    
    Biedrība “Purvīša muzejs”
    
    Reg.nr. 40008120773
    
    Bank: Swedbank
    Account nr.: LV96HABA0551018616469

en: 6804e929fca578e43f6349c3254101fe
target: Vilhelms Purvītis, Winter, around 1910. Archives of the Latvian National Art Museum, VMM GL-1568

en: 718b0c44b9b5baba61bc28669aa7e259
target: Muzeum research

en: 76ac4d156bc0927f1e39e8eef794d8bd
target: Vilhelms Purvītis, Evening (Kazdangas landscape), - 1912. around 1911 - 1912 Private collection

en: 897317e2251bf59457211773ce207b29
target: The research plan of the "Purvīša Museum" is based on researchers who studied facts and knowledge from the 19th century till beginning of 21st century. In order to continue successive steps in the research of the life and works of Vilhelms Purvītis, a digital catalog of Purvītis heritage is being created.
    
    <a class="cta" href="https://purvitis.lv/museum/muzeja-petnieciba/" rel="noopener">Read more</a>

en: 8d21031a68416158d92526ef727d0aa7
target: Support the museum through donations

en: 9a1a51b74c80eeab27a0f08f81db8a32
target: Vilhelms and Karolīne Purvīši, 1939. Photo from Kristiana Abeles monograph on "Purvītis","Neptuns"

en: 9a7f0a644fc7892e04edd488d0a5c86c
target: Vilhelms Purvītis, Spring waters, - 1935. around 1930 - 1935 Archives of the Latvian National Art Museum LMM GL-3259

en: <span style="font-weight: 400;">Savu statusu (Mākslas akadēmijas rektors, Mākslas muzeja direktors, pedagogs, vairāku starptautisku konkursu uzvarētājs) Purvītis izmantoja, iestājoties par latviešu nacionālās mākslas saglabāšanu, kopšanu un reizēm arī glābšanu. Vēlāk, dodoties trimdas gaitās, transports, kas uz Vāciju pārveda ap 900 (par precīzu gleznu skaitu arhīvi klusē) Purvīša gleznu, mīklaini izgaisa. Tas Purvītim bija liels trieciens, jo viņš uzskatīja, ka bez saviem darbiem viņš jau atkal ir nekas un viss jāsāk no sākuma. Gadu vēlāk viņš devās mūžībā. Dažādās kolekcijās šobrīd ir vairāk kā 400, bet precīzs skaits joprojām nav zināms, viņa gleznu, kas joprojām apliecina Vilhelma Purvīša talantu, meistarību un ģenialitāti. </span>
target: <span style="font-weight: 400;">Purvītis used his status (rector of the Art Academy, director of the Art Museum, teacher, winner of several international competitions) to advocate for the preservation, nurturing and sometimes also the salvation of Latvian national art. Later, during his exile, the transport that carried around 900 (the archives are silent on the exact number of paintings) of Purvītis’ paintings to Germany, mysteriously disappeared. This was a significant blow for Purvītis because he believed that without his works he was nothing again and he had to start all over once more. He passed away a year later. There are now more than 400, the exact number is still unknown, of his paintings in various collections, which are still a testament to the talent, craftsmanship and genius of Vilhelms Purvītis. </span>

en: Ainavists, pedagogs, Latvijas Mākslas akadēmijas pirmais rektors un Latvijas Nacionālās mākslas muzeja direktors Vilhelms Purvītis - viens no latviešu nacionālās glezniecības skolas aizsācējiem. Viņa diplomāta spējas, asais prāts, neatlaidība un taisnīguma izjūta spējusi dažādos Latvijas okupācijas laikos nosargāt nacionālās mākslas vērtības un izaudzināt spēcīgus pēctečus.
target: Vilhelms Purvītis, landscape painter, teacher, first rector of the Art Academy of Latvia and director of the Latvian National Museum of Art, was one of the founders of the Latvian national school of painting. His diplomatic skills, sharp mind, perseverance and sense of justice enabled the preservation of Latvia’s national art values during various times of occupation and the rise of strong successors.

en: Bet lielākais panākums māksliniekam ir atrast pašam sevi. Savā darbnīcā Purvītis apmācījis virkni 20. gadsimta latviešu mākslinieku – Ģedertu Eliasu, Kārli Padegu, Āriju Skridi, Arvīdu Egli, Miervaldi Ķemeru, Jāni Gaili, Margrietu Celmiņu, Edgaru Vārdauni, Kurtu Fridrihsonu un daudzus citus. Viņš vienmēr uzskatījis, ka visi viņa studenti ir apdāvināti, bet neviens nedrīkst slinkot, jo īstā cīņa sāksies, kad mākslinieks paliks viens un nebūs kam prasīt padomu. Purvīša stingrais raksturs, asais prāts, smalkā humora izjūta un arī trauslums ir tikai dažas no viņa personību veidojošajām īpašībām, bet saviem audzēkņiem viņa dzīvokļa durvis vienmēr bijušas atvērtas. Vilhelma students Oto Grebže atminas: “Studenti Purvīti mēdza saukt par… veco. Tāpat kā Purvītis savu tēvu.”
target: But the greatest success for an artist is to find oneself. Purvītis trained a number of 20th-century Latvian artists in his studio – Ģederts Eliass, Kārlis Padegs, Ārija Skride, Arvīds Egle, Miervaldis Ķemers, Jānis Gailis, Margrieta Celmiņa, Edgars Vārdaunis, Kurts Fridrihsons and many others. He always believed that all his students were gifted, but no one should be lazy, because the real struggle would start when the artist was alone and had no one to ask for advice. Purvītis’ strong character, sharp mind, subtle sense of humour and also fragility are just some of the qualities that make up his personality, but the door of his apartment was always open to his students. Oto Grebže, a student of Vilhelms remembers: “Students used to call Purvītis... the old chap. Just like what Purvītis would call his father.”

en: Kadrs no dokumentālās filmas “Vilhelms Purvītis’’, 1939. gads. Latvijas Nacionālā arhīva materiāls, LNA_KFFDA_F194_1_592
target: A frame from the documentary film "Vilhelms Purvītis", 1939. Material of the National Archives of Latvia, LNA_KFFDA_F194_1_592

en: Muzeja pētniecība
target: Muzeum research

en: Vilhelma Purvīša atdusas vieta Meža kapos, Rīga. Purvīša muzeja arhīvs
target: Vilhelms Purvītis resting place in Meža kapi, Riga. Archive of the Purvīša Museum

en: Vilhelma Purvīša audžu meita Mariona Vitans (1922.-2022.). Purvīša muzeja arhīvs
target: Mariona Vitans, foster daughter of Vilhelms Purvītis (1922-2022). Archive of the Purvīša Museum

en: Vilhelms Purvītis (1872–1945) ir mākslas filozofs. Viņa darbu unikalitāte ir gleznu “komponēšana”. Teju neviena Purvīša gleznotā ainava, kas redzama Nacionālajā Mākslas muzejā, Durbes pilī, Valsts prezidenta pilī, privātās kolekcijās un citur, nav realitātē ieraugāma, jo tā ir “komponēta” – mākslīgi inscenēta. Savās neskaitāmajās studijās izkopis konkrētus dabas objektus, Purvītis tos apvienoja vienuviet unikālās kompozīcijās un variācijās. “Organizēt dabu,” teica Purvītis. Kompozīcijas vajadzībām viņš ieteica “pārstādīt” kādu koku citur vai kādu māju “piekomponēt”.
target: Vilhelms Purvītis (1872–1945) was a philosopher of art. The uniqueness of his work is the “composing” of his paintings. Almost none of the landscapes painted by Purvītis that can be seen in the National Museum of Art, Durbe Palace, the Presidential Palace, private collections and elsewhere can be seen in reality because they are “composed” – artificially staged. In his countless studies, Purvītis nurtured specific natural objects and brought them together in unique compositions and variations. “To organise the nature”, said Purvītis. For composition purposes, he suggested “transplanting” a tree elsewhere or “adding” a house.

en: Vilhelms Purvītis, Ainava ar bērziem, 1910. gads. Latvijas Nacionālais mākslas muzeja arhīvs, LMM GL-3434
target: Vilhelms Purvītis, Landscape with birch trees, 1939. Archives of the Latvian National Art Museum, LMM GL-3434

en: Vilhelms Purvītis, Pavasara ainava (Marts), 20.gs. 30. gadi. Latvijas Nacionālais mākslas muzeja arhīvs, LMM GL-1189
target: Vilhelms Purvītis, Spring landscape (March), 30. 20th century Archives of the Latvian National Art Museum, LMM GL-1189

en: Vilhelms Purvītis, Pavasara ūdeņi, ap 1930. - 1935. gadu. Latvijas Nacionālais mākslas muzeja arhīvs, LMM GL-3259
target: Vilhelms Purvītis, Spring waters, - 1935. around 1930 - 1935 Archives of the Latvian National Art Museum LMM GL-3259

en: Vilhelms Purvītis, Pavasarī, 1933. - 1934. gads. Latvijas Nacionālais mākslas muzeja arhīvs, LMM GL-913
target: Vilhelms Purvītis, In Spring, - 1934. 1933 - 1934 Archives of the Latvian National Art Museum, LMM GL-913

en: Vilhelms Purvītis, Rudens saule, ne vēlāk par 1910. gadu. Latvijas Nacionālais mākslas muzeja arhīvs, LMM GL-123
target: Vilhelms Purvītis, Autumn sun, around 1910. Archives of the Latvian National Art Museum, LMM GL-123

en: Vilhelms Purvītis, Vakars (Kazdangas ainava), ap 1911. - 1912. gadu. Privātkolekcija
target: Vilhelms Purvītis, Evening (Kazdangas landscape), - 1912. around 1911 - 1912 Private collection

en: Vilhelms Purvītis, Vasaras ainava, 20.gs. 20. gadi. Privātkolekcija
target: Vilhelms Purvītis, Summer landscape, 20. 20th century Private collection

en: Vilhelms Purvītis, Ziema, ap 1910. gadu. Latvijas Nacionālais mākslas muzeja arhīvs, VMM GL-1568
target: Vilhelms Purvītis, Winter, around 1910. Archives of the Latvian National Art Museum, VMM GL-1568

en: Vilhelms Purvītis, ap 1900. gadu. Rakstniecības un mūzikas muzeja arhīvs, RTMM 377545
target: Vilhelms Purvītis around 1910. Archives of the Museum of Literature and Music, RTMM 377545

en: Vilhelms un Karolīne Purvīši, 1937. gads. Foto no Kristiānas Ābeles monogrāfija par "Purvīti", "Neputns"
target: Vilhelms and Karolīne Purvīši, 1939. Photo from Kristiana Abeles monograph on "Purvītis","Neptuns"

en: Viņa panākumu pamatā vienmēr bijis darbs – meistars necieta bezdarbību. Purvītis uzskatīja, ka ļoti reti var noteikt, kurš ir īsts mākslinieks no dabas un kurš par tādu kļūs ar smagu darbu. Lai motivētu savus studentus strādāt, viņš ar ogli uz sienas uzvilka līniju un teica: “Līdz šai vietai nokļūs daudzi no jums, varbūt pat visi, bet pāri tai tiksiet tikai daži. Aiz šīs svītras sākas mākslinieks.”
target: His success was always based on work – the master did not tolerate idleness. Purvītis believed that it is very rare to determine who is a true artist by nature and who will become one through hard work. To motivate his students to work, he drew a line on the wall with charcoal and said: “Many of you will get to this point, maybe even all of you, but only a few of you will get past it. Beyond this line, the artist begins.”

en: Ziedo muzeja izveidei
target: Support the museum through donations

en: a43d84e1280e49be827dd4367d543b5f
target: Vilhelms Purvītis, Landscape with birch trees, 1939. Archives of the Latvian National Art Museum, LMM GL-3434

en: a48e7ef1052e4f4632599ad9131d3788
target: Vilhelms Purvītis, landscape painter, teacher, first rector of the Art Academy of Latvia and director of the Latvian National Museum of Art, was one of the founders of the Latvian national school of painting. His diplomatic skills, sharp mind, perseverance and sense of justice enabled the preservation of Latvia’s national art values during various times of occupation and the rise of strong successors.

en: b64414f1ca6f3cdee30b609100fad9c1
target: #

en: c33db7de53acb8f97e7e4a88c5ba5d98
target: Vilhelms Purvītis resting place in Meža kapi, Riga. Archive of the Purvīša Museum

en: c5580fb1face0b29f16584f8ed3cd298
target: Vilhelms Purvītis, Autumn sun, around 1910. Archives of the Latvian National Art Museum, LMM GL-123

en: d03ee59b37c0924d8fec89504405c376
target: Vilhelms Purvītis

en: dd3d40cdc6356b780a0d328fad263c06
target: A frame from the documentary film "Vilhelms Purvītis", 1939. Material of the National Archives of Latvia, LNA_KFFDA_F194_1_592

en: fd8cf38f5da703f2258d11b891f1a35a
target: Vilhelms Purvītis around 1910. Archives of the Museum of Literature and Music, RTMM 377545

en: fde46ce8e828565e448853bc481061a5
target: Mariona Vitans, foster daughter of Vilhelms Purvītis (1922-2022). Archive of the Purvīša Museum

en: “Purvīša muzeja” pētniecības plāns balstās, pateicoties pētniekiem, kuri izpētījuši faktus un zināšanas, no 19.gs. beigām līdz 21.gs. sākumam. Lai turpinātu secīgus soļus Vilhelma Purvīša dzīves un daiļrades pētniecībā, tiek izveidots Purvīša mantojuma digitālais katalogs.
    
    <a class="cta" href="https://purvitis.lv/museum/muzeja-petnieciba/" rel="noopener">Lasi vairāk</a>
target: The research plan of the "Purvīša Museum" is based on researchers who studied facts and knowledge from the 19th century till beginning of 21st century. In order to continue successive steps in the research of the life and works of Vilhelms Purvītis, a digital catalog of Purvītis heritage is being created.
    
    <a class="cta" href="https://purvitis.lv/museum/muzeja-petnieciba/" rel="noopener">Read more</a>
